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Beer and spaniel. @servicebrewing #craftbeer #savannah #beer

on July 21, 2018

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I love this new earrings by Cynthia Rybakoff. A splurge if you swing it.

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Deff Art finger-paints the old lighthouse whilst a crowd looks on, during the Chale Wote Festival in Accra. True Love is a lot like a lighthouse. No matter how old it gets, it is the only thing that leads us home; that place of inner peace and contentment, where we feel accepted and loved without having to try. Yes, the sea brings its adventures with it, much like life. But no matter how exhilarating or scary it gets, we always at some point, would want to go back home. A lighthouse is stationary for a reason. It is immune to the times and seasons. True love is a lot like that. I have watched many sailors stay out at sea for way too long, only to come home and see another ship has docked in their place, and they feel betrayed. In those situations, it wasn't the lighthouse that changed, it was the sailor who drifted. He for a moment enjoyed the sea so much he thought he was a fish. True love is so steady, we all have a tendency to take it for granted. Don't make that mistake. Photo and Words by Nana Kofi Acquah (www.nkaphoto.com) @africashowboy (Copyright: 2015). by everydayafrica

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Blanche Dunn, the exceedingly stylish Harlem Renaissance-era actress who was also a mainstay at Carl Van Vechten's legendary parties which were, as Langston Hughes put it, “so Negro that they were reported as a matter of course in the colored society columns, just as though they occurred in Harlem instead of West 55th street. Ms. Dunn was essentially an “It” girl of the era: a mainstay at Van Vechten’s legendary parties and, as noted by the legendary Harlem Renaissance writer, painter Richard Bruce Nugent, “at all the Broadway first nights. A party was not a party, a place not a place, without Blanche”. Photo: Carl Van Vechten (1941). Beinecke Rare Book and Manuscript Library. #vintageblackglamour #vbgbook #BlancheDunne #CarlVanVechten #1940s #vintage #Harlem by vintageblackglamour

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